No One Cares About Your Book by Elizabeth Cole


Today, I’m thrilled to welcome author Elizabeth Cole to the blog. She’s known for her engaging regency novellas and her smart approach to indie publishing. Today’s she’s talking about something that none of us want to admit: no one cares about our books as much as we do. But read on. There’s good news here!


Rochelle, the Write Now! Coach


ARSNo One Cares About Your Book by Elizabeth Cole

I’ve been on the independent publishing track for almost two years now. After publishing four novellas and three romance novels, I’ve learned a few things. The most important one is this: no one cares about your book as much as you do.

But wait! It’s not the end of the world. Read on…

No one cares about your book as much as you do…while you write it.

So you’re writing a book. Yay. Woop woop. Everyone and their poodle is writing a book, at least according to my Twitter feed. So what does that mean? It means no one is interested in your process, your progress, or your internal struggle. And that’s great! The writing process should be largely private. This is the only time in the book’s life when you’ll be completely free. So dig down and really make it your book. Don’t worry if things aren’t perfect. That’s what editing is for. Use this time to try new things, explore your reasons for telling the story in the way you do. For example, I’m not crazy about overly cutsey romances where the heroine is perfect all the time, so just I finished writing a historical romance in which the heroine gets sick all over the hero…more than once…and it still ends happily! I might not have written that that way if I was worried about what an agent or publisher might think. Luckily, no one cares.


No one cares about your book as much as you do…during production.

After writing a book, there are tons of pesky steps required to actually publish it. Editing, proofreading, marketing, design…basically, everything that is essential to creating a stellar product. While I absolutely think that one should hire professionals to do these tasks, the author must maintain creative control of the book, and demand the best work possible. Don’t ever settle for an OK job. Whether it’s cover design, typography, editing, or whatever, remember you know your book best. Details matter! If the title doesn’t look right at thumbnail size, tell your designer to try something else. When I started publishing historical romances, I was dissatisfied with the quality of stock photography available. So I commissioned a photo shoot to ensure my books would have the right-looking models in period appropriate costumes, and the final image conveyed the right mood for the story. Respect the professionals you hire, but don’t capitulate if the work isn’t to your satisfaction. You are the one who cares most, and has the most to lose.


No one cares about your book as much as you do…on launch day.

This can be hard for authors to accept. Your big launch day comes, you tweet excitedly, get a few congratulatory comments, and…that’s it. No balloons, no cake (unless you bake it yourself). The plain fact is that your book coming out is just not that important to anyone. People have lives to live! Unless you wrote a book about curing cancer, chances are that no one really NEEDS your book the first day. So understand that marketing any book is an ongoing process. Try new things, pay attention to sales rates, bumps, and trends. If you’re writing a series, work on the next one while marketing the existing ones. Build relationships. Don’t expect readers to come running unless you offer something in return.


No one cares about your book…until they read it.

Any reader has millions of options when it comes to what book to read next. You’re extraordinarily lucky if they choose to read yours! Congratulate yourself on a job well done if you’ve managed to get your story into the hands of a reader. And right after you do that…say goodbye to your story. Because guess what? Once a reader reads your book, it’s not just yours anymore. Each reader brings their own imagination, background, and unique interpretation to all those words. The story bends and warps a little bit each time it gets read. It’s a wonderful process. You find out what worked and what didn’t. You become a better writer. Ideally, readers will find you and say “More, please!” And so you write another book…just remember that no one cares about it as much as you do.

Not that you care, but my newest book came out this month. A Reckless Soul features romance, spies, betrayal, poison, and more…all set against the backdrop of early Regency England. Think James Bond meets Jane Austen. Find out more right here.


1bwAbout the Author. Elizabeth Cole writes historical romance. She can be found hanging around museums, coffeeshops, and (occasionally) graveyards. She believes in love at first sight. Then again, she also believes that mac ‘n’ cheese is a healthy breakfast, so don’t trust her judgment on everything.

In addition to her sweet Regency novellas, Elizabeth is currently writing the SECRETS OF THE ZODIAC, a series of steamy, romantic spy thrillers also set in the Regency period.

Elizabeth loves hearing from readers, because otherwise she starts taking the cat’s advice a little too seriously. Connect with her and sign up to get early alerts for new titles at her website.

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Five Simple Tools for Taming Monkey Mind and Writing More by Rochelle Melander

Writing is not a matter of time, but a matter or of space. If you don’t keep space in your head for writing, you won’t write even if you have the time. ― Katerina Stoykova Klemer

spinning-wheel-macFor weeks before the spinning beach ball of death took control of my computer, locking me out from everything, it made several short appearances. My computer repeatedly warned me: “Your startup disk is full. You need to make more space available on your startup disk by deleting files.” I moved files to an external hard drive and deleted unused programs. But, I might as well have been trying to empty the ocean with a bucket.

In the midst of one late-night moving session, my computer said something like, “I don’t have the space to do this but, if you want to do it, I’ll keep trying.” And so it did, until I hired a tech guy to make it stop. My computer guy let me in on a secret: your computer needs to have 15-20% of its space free to operate. So when it’s stuffed with words, programs, and photos—it gets stuck.

That got me thinking about my writing brain. I write first thing in the morning, before I’ve checked email, but my brain isn’t just sitting there, waiting to spout out brilliant scenes. Instead, the thoughts wind around the hamster wheel in my head: What do I need to sign for the kids? Is my lunch date still on? When do I see clients? I hope I can get the editing done today. What else did I say I’d do? I should check Facebook. Before I know it, I have monkey mind. You know how it goes. I don’t have enough free space in there to focus on reading a book let alone writing one.

You might be thinking, “Well that’s just how it is!” No, it’s not. Here are some signs that your brain might be on overload:

+Forgetting deadlines & appointments

+Feeling agitated while relaxing (I should be doing something)

+Difficulty concentrating on writing or other projects

+Rapidly hopping from idea to task and back again

+Feeling exhausted or being unproductive at your most productive times of day

So what’s the solution? We can buy a big old external hard drive for our computer and offload some of our information stash onto that. But we cannot buy more brain space. When your brain’s start up disk is full (and whose isn’t full?), don’t wait until you crash—get sick or have a full-blown meltdown.

Here’s how to take care of your brain and write more:

1. Take balcony time. Schedule a day in the balcony to take a birds eye view of your life, schedule and to do list: what’s filling up your startup disk? There’s a great computer program called Grand Perspective that maps a computer’s hard drive so that users know what programs are taking up the most space. I wish I had that for my life!

2. Complete unfinished business. Schedule a chunk of time to wrap up unfinished business—all that stuff you’ve been meaning to do that you never get around to that haunts you in the middle of the night and when you should be writing. You know, your annual physical, your eye check up, writing a thank you note to your aunt, and paying that parking ticket. After the big clean up, create a regular day each month to deal with this stuff.

3. Schedule wrap up and planning time. Schedule time at the end of each writing and work session to wrap up projects. If possible, create a to-do list for the next day so that you don’t have to remember what you plan to do. Also, make a note about what you plan to write about during your next session, so that your subconscious can do the work for you!

4. Keep an idea file. While you’re working, keep a file or notepad open to jot down all the tasks and worries that show up while you are trying to write.

5. Take time off. Schedule down time. You need rest, relaxation and repetitive tasks to give your brain time to heal and your subconscious a chance to work.

Your turn: What do you do to deal with your spinning brain? Leave a comment below.





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Writers@Work: How to Break Into Travel Writing by Kristine Hansen

Hello writers,

I’m delighted to welcome colleague and fellow writing teacher Kristine Hansen to the blog to talk about breaking into travel writing. If you like what she has to say, check out her bio—she’s offering a travel writing class this spring! -Rochelle, the Write Now! Coach

file000359904823Writers@Work: How to Break Into Travel Writing by Kristine Hansen

At least once a week, I get asked the question: “How did you get into that?” That is travel writing, a seemingly luxurious job of flitting around the world eating meals in palaces and lounging on beaches. While it’s true this does constitute part of my job (why, yes, I’ve eaten lunch at a palace in Abu Dhabi, and walked dozens of Caribbean beaches), it’s not always a cakewalk. On days I am not traveling, I am marketing my skills as a writer and developing strong story pitches. I spend more time securing the assignments than I do planning my trips.

Here are three tips to launch a career in travel writing. First, forget the notion that you are a newbie. While you may not have a thick stack of travel clips attached to your name, life experience can trump all of that, along with solid writing and the ability to package a story idea. I help dozens of writers each year realize their publishing dreams and have seen that anything is possible. One of my students, with only a few writing clips about travel, sold a book on budget travel to a major publisher’s series. Traveling on a budget had been her life – and who better to be an expert? Another of my students pitched her dream pub – Islands  – and was shocked to soon be in an email dialogue with the editor about what her first story would be.

Start Local. Even as a widely published travel writer I have greater success pitching stories about my own backyard, which is Wisconsin, and the greater Midwest, including large cities like Chicago. The reason is that most editors are based along the East Coast or have their radars set on popular tourist destinations. The Midwest, and other rural or lesser-known pockets scattered across the U.S., are an intriguing mystery. Even if you live in a large city, propose a story off the beaten path, such as Los Angeles’ best taco dives or Miami’s best designer-vintage boutiques. Besides, who knows your region better than you, a person who resides within? Realizing that the competition to write a story about the area where you live is less fierce, it’s a win-win for your first published travel article.

Start a Blog. Although the business of travel writing is a lot of hurry-up-and-wait, as your pitches are reviewed, there is one task you can start today. Launch a blog using free platforms like,, and While you’re at it, set up a Facebook page and give yourself a moniker, like Spa Gal or Budget Betty. Dig deep into your vacation memories and I bet you’ll soon have a dozen ideas for posts. Don’t forget about the allure of travel stories that are not destination-based. What are the best travel apps? How can you easily cram six pairs of dress shoes into a carry-on bag? What is it like traveling solo with two small kids? These stories are important too.

Read, Read, Read. Those glossy magazines you ooh and aah over, with photo spreads of overwater bungalows in Bora Bora and lavender fields in France? Or the slideshows you click through while you are supposed to be working? Give yourself permission to start spending more time with those publications and websites. Figure out what stories are not being told but still fit in with the coverage. Study the ads. Who are these ads targeting – men or women? Families or senior citizens? Fashionistas or hikers? The key to a good pitch is identifying the area of the magazine or website where it will appear. Otherwise, it’s an open-ended question that is difficult for the editor to answer. Where exactly will your story publish? And what tone will it adopt? If you can point to a previously published story that the editor worked on, stating how yours will be similar but different (and how), the editor will love you.

Your turn: What questions do you have for Kristine about travel writing?

DSC_0064About the author. Writing for markets that include TIME Magazine, Fodor’s Travel blog, American Airlines’ inflight magazine, Destination Weddings & Honeymoons and Wine Enthusiast, Kristine Hansen gets to dive deeper into her passions. As a writing coach and teacher, she offers online travel-writing classes with plenty of one-on-one support. Her next class is Virtual Spring Break (April 21-25) with sign-up details on her website (

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How to Use Poetry to Transform Your Writing By Rochelle Melander


Concrete Poem by Dream Keeper Marcia Olson

Concrete Poem by Dream Keeper Marcia Olson

Always be a poet, even in prose. —Charles Baudelaire

Nearly every week, I teach poetry writing to children at the library. When they hear what we’re going to do, many panic: I can’t do that! I don’t know how to rhyme! And my favorite, But I don’t love anyone like that!

Last fall, I read a favorite poem to the group while they colored. When I finished, a 2nd-grade boy said to me, “Wait, I thought you were going to read a poem.”

“I just did.”

“That was a poem?”


“That was good!”

“You sound surprised.”

“Can you read it again?”

I read it three more times. Afterwards, we wrote poems together.

Reading and writing poetry improves all writing. Poetry teaches us to pay attention to what’s happening in the world and how we describe it. We don’t have to be poets to use poetic tools to polish our storytelling. Here are three ways you can use poetic techniques to enrich your writing:

1. Add an image. Poets use images to help readers experience what’s happening in the poem. With metaphors, similes, sense words, and more, poets paint pictures for readers.

Your turn: Take one concept in your current work in progress. Instead of telling the reader about it, use an image to describe it.

2. Listen for music. Poets listen for the rhythm of language. When they construct a line, they place rhymes, repeat sounds, and count the beats of each word.

Your turn: Read your current piece aloud. How does it sound? Would adding internal rhyme, alliteration, or a different word improve how it sounds?

3. Say it shorter. Poets describe the universe with just a few perfect words. Sometimes, they offer us only a glimpse into their world. But because they use juicy words, it’s enough.

Your turn: Take a long sentence—25 words or more—and see if you can improve it by writing shorter.

Pro Tip: Reading poetry—even if you don’t understand it—will help you write better. If you’re a newbie, try one of these collections:

Poems to Learn By Heart edited by Caroline Kennedy. I picked up this delightful collection of children’s poetry at the library. Even if you don’t have a child in your life, read it aloud!

Dancing with Joy: 99 Poems edited by Roger Housden. This collection of poems from 69 poets offers a rich vision of what it means to experience joy.

Haiku Mind: 108 Poems to Cultivate Awareness & Open Your Heart by Patricia Donegan. If you can’t focus on a long poem, try reading haiku. These short, pithy poems help readers practice mindfulness. In this collection, Donegan reflects on each poem and provides a biography of the author.

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Make Numbers Come Alive by Laura Laing

True confession: I have a huge math phobia. My dad’s a math professor, but no matter how he explained complicated concepts, it didn’t make sense to me. In college, I finally got interested in math when a teacher talked about in relation to practical matters. Suddenly math wasn’t about how fast the trains were going but how to figure out our earning potential or plan a road trip. Cool! When I heard about Laura Laing’s new book, Math for Writers: Tell a Better Story, Get Published, Make More Money, I got excited: finally a book that talks about why math matters to writers. Yeah! So read on to learn how you can use numbers to tell a better story and then enter to win a signed copy of Laura’s new book! -Rochelle, the Write Now! Coach


Math-for-WritersMake Numbers Come Alive By Laura Laing

This is an excerpt from Laura Laing’s Math for Writers: Tell a Better Story, Get Published, Make More Money. In this section from chapter 1, Laura explains how writers can get creative with numbers, while helping readers better understand their significance.

Think for a moment about how you read news stories, like this totally made up one:

By the end of its first year, Jumpin’ Jack’s Pizza Joint had served 27,400 patrons, thanks to its premier location on The Boulevard.

Be honest. Did you read it this way?

By the end of its first year, Jumpin’ Jack’s Pizza Joint had served blah-blah patrons, thanks to its premier location on The Boulevard.

If so, you’re not alone. Raw data doesn’t always further the story. See, as writers, we’re paid to clarify the information, not just dump numbers in just the way the source gives ’em to us.

Fact is, most people do not have a spot-on understanding of really large or really small numbers. You can count on your readers appreciating a few simple calculations that can help show the importance of the data—not just tell it straight out.

Jack has served 27,400 customers in his first year at his new location. That’s a lot of people—but what does it mean?

You can express this value in a variety of different ways.

Approximately 2,740 10-top tables

If you’ve ever worked in the restaurant business, you know that a 10-top is a table that seats 10 people. (A 2-top seats 2 people, a 4-top seats 4, and so on, and so on.) The math here is pretty darned simple: just divide 27,400 by 10 to get 2,740 10-top tables.

About 75 customers every single day, including weekends and holidays

This little translation is a bit less creative, but pretty powerful. The math is super easy. Just divide the number of customers by the number of days in a year:

27,400 ÷ 365 ≈ 75.07

A part of a person won’t order pizza, so round down to 75.

While this is a really practical number, the writing can create even more of a picture.

On average 75 customers place an order at Jumpin’ Jack’s Pizza Joint every single day of the year.

Close to a 10-mile-long, single-file line

For really visual readers, offering a vivid image is a great way to make sure that numbers hit their mark. Be sure, though, that what you’re offering makes sense to the story.

In this case, getting in line for really good pizza is realistic. So why not think about how long the line would be if all of the customers queued up?

This is where a little creativity is necessary.  Research by social scientists shows that our preferred personal space with friends is 1.5 to 4 feet. When around strangers, we may want much more than a 4-foot bubble. But standing in a single-file line means being a little more up-close-and-personal than that. So, it makes sense that most people are probably going to stand about 2 feet from each other. In other words, for every 1 person in line, the line will be 2 feet long.

Then I looked up the number of feet in a mile (5,280) and divided by 2. Why 2? Because I wanted to know how many 2-foot segments would fit into 1 mile.

5,280 ÷ 2 = 2,640

What this means, in essence, is that a single-file line of 2,640 people is 1 mile long. So how many miles is a single-file line of 27,400 people? Divide again.

27,400 ÷ 2,640 ≈ 10.38

Yep, if you lined up 27,400 people, single file, giving each of them a 2-foot space to stand in, you’d have a line more than 10 miles long.

If Jumpin’ Jack’s has been dealing with long lines, this way of describing the numbers furthers the story:

For months, Jack has been managing long lines of customers waiting to be served or to place take-out orders. In fact if all of his customers lined up, single-file, by the end of the first year this line would be more than 10 miles long—or the distance from his current location to the new one.

See what I’ve done there? The line metaphor works great, because it brings in another aspect to the story—that the new location is so busy, lines form outside regularly. For local readers, the metaphor is made even more meaningful by giving it some geographical context.

A word of warning: when you get creative, you run the risk of distorting the numbers—and misleading the readers. For example, if I decided that each person in a single-file line needed 5 feet of personal space, the imaginary line for pizza would be 25 miles long. But that’s not really an accurate representation, is it? A little bit of research pointed me to a 2-foot bubble for each person in line—a much better estimation.

But although the just-right comparison can work well, the less-than-perfect comparison often falls flat and adds yet more confusion to what may be an already difficult story. As the writer, you should include the most effective analogies in your story. Test your idea on a friend or family member to see if it makes sense. Your editor’s feedback may help you refine this illustration. Or you may need to push back, if your editor wants to change your comparison to something misleading or difficult to understand. If you go this route:

  1. Make sure the image fits the story.
  2. Make sure your readers can picture the references.
  3. Avoid cliché images, like dollar bills placed end to end.
  4. Don’t add even more numbers with the image.
  5. Don’t repeat and image, like 23 football fields placed end to end. It’s hard enough for a person to imagine the size of a football field. But to imagine 23 fields? That’s asking too much of your readers.

Try it out. Some of your ideas will work, others won’t. Get creative with the comparisons and then do the math.

Your turn: Ask the author. What questions do you have about using math in your writing?

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Laura Laing bw headshotAbout the author. Laura Laing is a freelance writer and the author of Math for Writers: Tell a Better Story, Get Published, Make More Money. Visit her website to check out her full virtual book tour and sign up for a free, live teleseminar just for writers who need math:


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Don’t be a Fool! Avoid these Social Media Blunders by Rochelle Melander

file000985612072Fools talk, cowards are silent, wise men listen. —Carlos Ruiz Zaffón

Nearly every day, I see writers commit one of these foolish mistakes on multiple social media sites. But you don’t have to be one of them. Follow my advice and become a writer with social media savvy!

Foolish Mistake #1: Make it all about you. I see many writers using their social media feeds solely to promote their work. Every single post shouts their successes: publishing deals, book awards, blog posts, and more. Some will say, “Well, that’s okay on Twitter and LinkedIn, just not on Facebook.” I disagree. If LinkedIn is like a giant networking event, Twitter is like a huge block party, and Facebook is a reunion with people from all parts of your life, how do you want to show up? Do you want to be the person who shouts about how great they are and shoves examples of their work at others? Probably not.

Wise Tips
+Look at your social media pages. How many of your last 20 posts were about you or your work? If your content ratio (posts about you to posts about others) favors you, work on shifting it. There’s no hard rule for the perfect ratio, but as a reader, I prefer at least 5 to 1: five posts about others for every self-promotional post.
+ Think about your online persona as an extension of you. Look at your last 20 posts and ask, “How do I present myself? What do these posts say about me?” If you don’t like what you see, change it. Let your posts reflect the best of you.

Foolish Mistake #2: Ignore other writers. I’ve noticed that some writers act a bit like big corporations. They’re happy to post about themselves, but they rarely interact with others. They don’t acknowledge the success of their peers, repost the work of other writers, or interact. Sometimes writers take this approach simply because they’re busy: relating to others takes time. I hear you. But remember: social media is mostly about connecting. Writers who succeed interact well with others.

Wise Tips
Review your social media activity over the last few weeks. Get a sense of the numbers:
+What platforms are you interacting on?
+How many people do you interact with?
+In what ways are you interacting?
+Are others interacting with you?
If your review turns up a less-than-positive view of your interactions, don’t despair. Try this:
+On Facebook, wish everyone a happy birthday. Use the LIKE button, offer supportive comments, and reshare (with credit) helpful tips.
+On LinkedIn, congratulate people for their successes and promotions. Comment on their content-oriented posts.
+On Twitter, retweet! Ask questions. Invite dialogue.

Foolish Mistake #3: Connect solely to promote. It used to surprise me: I’d get a connection request from a stranger and within 24 hours of accepting, I’d receive an offer to buy their book, use their brand new book marketing or publishing service, or promote their work on my blog. Now I’m used to it—and sick of it. I’m cynical—when someone connects with me on social media, my first thought is: what do they want? In these days of extreme platform anxiety, we might feel pressure to connect quickly with LOTS of people. Instead, take a deep breath and slow down.

Wise Tip
A single real connection is better than hundreds of “kind of” connections. Instead of trying to build a huge list of connections, join a few groups (online and offline) where you can build relationships with others. Help connections promote their work. Then when you do have something to promote, they’ll be happy to help you, too.

A final word. I’m trying to remember that we’re all doing the best we can. We’re human. Social media changes daily. We’re going to make foolish mistakes. (Accept it, forgive, and move on!) As writers, the best social media strategies are individual and flexible. What works today may not work in a few weeks. It helps to review and revise your plan frequently!

Your turn: What’s your social media pet peeve?

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#WritersRead: The Five Books that Most Shaped My Writing by Nancy Levin

I’m thrilled to welcome Nancy Levin to the blog. She’s here to talk about the books that have shaped her writing—and it’s a delicious list! We’re also celebrating with her the release of her wonderful new book: Jump…and Your Life Will Appear. After you read the post, enter to win a signed copy of the book! -Rochelle, The Write Now! Coach


21422671Writers Read: The 5 Books That Most Shaped My Writing by Nancy Levin

So, after nearly two years of pouring my soul into my new book, Jump…And Your Life Will Appear: An Inch-by-Inch Guide To Making A Major Change it is finally here – and landing in people’s hands and hearts.

When I received my very first copy the other day, I never expected to sit right down and read it. The whole thing. Cover to cover. In one sitting. Upon closing it, I burst into tears. It was crystal clear to me that everything I had experienced in my life led me to this very moment. I saw both the chaotic, messy backside of my tapestry with all the strings hanging off and I saw the intricate, elaborate front, showcasing my artful integration. And for the first time ever, I wouldn’t have changed a thing. It’s true what my dear friend and mentor Debbie Ford said, “Everything that has happened, is happening and will happen is in divine order for you soul’s evolution.”

As I was reading the final book, I also noticed things I wanted to edit. Not your average typo, but concepts and insights. And yet, I knew that if I read this book every day, I’d want to keep making changes to it. Because every day I am making changes to me.

So instead I had to make peace with this book being out in the world exactly as it is–just like I am–not easy for a recovering Type A-perfectionist. And then I started to think of it as a photograph—a snapshot of me at a specific time. And evolving, still.

This is precisely why I love memoir and poetry. The ability to capture a specific period or moment in time. Stacked up beside me, these are the books–the companions and confidants–always near me when i write.

Broken Open by Elizabeth Lesser: Elizabeth’s unbridled honesty about the choices she made in times of challenge and transition captivated my heart. Her courage to rise again gave way to mine. Brave.

Devotion by Dani Shapiro: I love the way this book moves back and forth in time as an archeological dig through Dani’s past and how it informs her present. Magnificent.

Heaven’s Coast by Mark Doty: A masterful memoir by a poet, what could be more mesmerizing, as Mark holds us close witness the death of his lover from AIDS. An intimate and gorgeous book like no other.

The Year of Magical Thinking by Joan Didion: A spotlight on an accelerated period in the life of one of the most extraordinary writers of our time. Not to be missed. This book still haunts me. It became a one-woman show on Broadway with Vanessa Redgrave. Brilliant and breathtaking.

The Dark Side of the Light Chasers by Debbie Ford: Using herself as a model, Debbie shows us how our own dark underbelly can emerge transformed in the light and how our quest to return to wholeness begins with embracing the parts of us we have previously disowned. Raw and courageous.

*Bonus – What The Living Do by Marie Howe: Her searing poetry, specific and particular, bares all…love, grief, truth. Each piece, a gem.

Your turn: Ask Nancy Levin a question or share your favorite inspirational guide!


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Nancy-6314aAbout the author. Nancy Levin, author of Jump … And Your Life Will Appear and Writing For My Life, is a Certified Integrative Coach through The Ford Institute For Transformational Training. Since 2002, she’s been the Event Director at Hay House, Inc. producing experiential events and innovative conferences, focusing on self-empowerment, health and spirituality, while weaving in her own story and poems to connect with audiences around the world during keynotes, workshops and seminars. When she’s not on an airplane, Nancy lives in Boulder, Colorado where she received her MFA from Naropa University. You can visit her online at Visit her on Twitter and Facebook.





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Sick? Stop Writing and Rest by Rochelle Melander

file4531299933608Dear Writers,

Happy Spring! After months of teaching sneezing, coughing kids at the library, I finally got sick. Last Wednesday, I came down with a sore throat and chills. I cancelled all my meetings—I didn’t want to make others sick—but thought, “I can still work.”

And then I got worse. By Sunday, I was a sneezing, wheezing mess. Evidently, sometimes you can’t write through it!

So writers, I’m taking a few days off. I’m moving the Write Now! Mastermind class to next Wednesday, April 2, 2014 at 12:00 PM CDT. Hopefully by then I’ll have my voice back!

Today’s tip talks about how writers can make the most of a sick day (an earlier version of this tip was published in the summer of 2011).

Happy Writing! Rochelle, the Write Now! Coach


file000233133941Sick? Stop Writing and Rest!

By Rochelle Melander

Being a real writer means being able to do the work on a bad day.
—Norman Mailer

I’ve read and shared this quote from Norman Mailer multiple times. He gives good advice: real writers work even when they don’t sleep well, the kids get sick, and the basement floods.

But still, sometimes you’re just too sick to write. Instead of beating up on yourself—I should be making progress on the novel, Stephen King would be writing, I’m such a loser—give yourself a break! Instead of writing, try this:

1.         Sleep. Rest helps you to recover faster. At least that’s what my mom used to tell me. Plus the dreams you have when you are sick are wacky and fun. Jot down the best dreams and use them for inspiration next time you have writer’s block.

2.         Have a Film Fest. I rarely get a chance to lie in bed and watch movies. This week, I plan to work my way through my Netflix queue. Next time you have a free moment, make a list of everything you’d like to watch. Next time you are sick, tired, or just in need of some inspiration, you’ll be prepared! Sit back and enjoy.

3.         Read. I’ve always got a stash of books to read, and that’s what I’m planning to do this week. Keep a stack of books you want to read “someday.” Next time you get sick or snowed in, you’ll be prepared!

4.         Take notes. Being sick gives you way too much time to think…and worry! Instead of tormenting yourself, take your journal to bed and jot down your ideas.

5.         Surf the net. I spend so much time on the computer for work, I rarely have time to seek out great blogs, resources, and other tools for myself and my clients. What do you long to know more about? Make a list of all the information you’d research online if only you had the time. Next time you have the time, you’ll know what to search for!

Your turn: Share your best ideas for making the most out of being sick.


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Stuck? Three Ways to Discover New Ideas By Rochelle Melander

file000739558943Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen. —John Steinbeck

Last Tuesday at the library, we wrote noisy poetry. An eight-year-old girl whined, “But I don’t know what to write about!” I asked her questions: What interests you? What annoys you? What are some noisy things in your life? She shrugged. She doodled. Finally, after much discussion, she said, “Well, my cat has a stinky butt!”

“Does your cat make noise?” (Yes, I know—a risky question, given that she’d just mentioned her cat’s stinky butt.)  Thankfully, my young friend suddenly remembered how her cat liked to leap onto things that made noise. And off she went, writing a poem about her noisy cat.

So writers, what do you do when you’re out of ideas and don’t have a writing group to help you? Here are three idea-generating tools:

1. Title Generator. I happened upon the Tweak Your Biz title generator when I was researching blog titles and fell in love. Type in your topic, let the tool know if it’s a noun or a verb, and abracadabra: the tool delivers oodles of titles. It’s not perfect, but it will spark some ideas.

2. Lists. I often make lists or mind maps of writing ideas. But when I’m out of ideas, it’s helpful to read other people’s lists of ideas. Here are a few to get you started:

+Stuff kids love.

+Bernadette Mayer’s List of journal ideas and prompts.

+List prompts for your art journal. Use these prompts to create your own lists of ideas.

3. Idea Networks. An idea network collects the best business ideas from around the world in a single place. While these ideas are geared toward entrepreneurs who want to start businesses, journalists and writers can use these ideas in blogs, articles, and novels.



The next step: Once you have a list of ideas that excite you, spend time journaling. Create a mind map or list (!) around one or more of the ideas to see if it’s juicy enough to develop into a blog post, an article, or even a book!

Your turn: What sites do you use to gather ideas?


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When Habit Isn’t Enough: How to Boost Productivity By Rochelle Melander

2013 T-Shirt and bib

2013 T-Shirt and bib

As you may have read last week, I’ve signed up for the Idle Ironman at my Y. In the next month, I’ll bike 112 miles, run 26.2 miles, and—since I don’t swim—run an extra seven miles.

The first year I did the Idle Ironman, I started a week late. But I figured it’d be easy: I already had a habit of getting to the gym every day. Ha! On March 31, I pedaled like a crazy woman to finish my miles. (I did finish, but it was painful!)

This year, I’m doing everything I can to finish early (or at least on time). Last week, as I added up my miles, I had a big aha moment (or maybe it was a duh! moment): I can’t rely on my exercise habit to get me across the finish line. If I just do what I normally do, I won’t finish the Idle Ironman. I won’t even come close. I have to put in more: more minutes, more miles and more effort.

When it comes to doing anything big—writing a book, running a marathon, or starting a business, your good habits will only take you so far. When I’m working on a book, I know that I can’t rely on my daily writing routine and expect to finish. I need to put in more time.

But how?

Recently, I came across this wonderful quote in Anne Truitt’s Daybook, the first of her three memoirs about her life as an artist.

“Before I went to sleep, I loosely organized the following day’s schedule—loosely because there were, of course, always unexpected events. … The periods left over from my practical responsibilities were spent in the studio. If there were fifteen minutes between shopping and carpool, I used them. If I had an hour, or two hours, I rejoiced, but didn’t even waste time feeling happy, just worked.” Anne Truitt, p. 126, Daybook

The takeaway? In addition to forming a writing habit—a set time you work on your craft each day—you can increase productivity in two ways:

1. Plan ahead. Every night, look over the next day’s schedule. After slotting in your regular writing time and other work and life tasks, assign one or more of your leftover periods to writing.

2. Create a plan for the in-betweens. When I read this passage, I was struck by Truitt’s statement: If there were fifteen minutes between shopping and carpool, I used them. Why not? Make a list of little bits you need to do for your book—small pieces of revision, research, reading, querying, or writing—and use the in-between times to tackle them.

Your turn: How do you increase your writing time when you’ve got a big project?





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